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In 1859 Albert Bierstadt embarked on his first trip to the western reaches of the United States. This journey proved the start of the New Bedford-bred artist's life-long love affair with the West and his ascension as its premier interpreter. Bierstadt's vision of the American wilderness - one of grandeur, vastness and monumentality uniquely representative of the New World - would hold different meanings for different generations of audiences. At the height of his career in the 1860s audiences saw his landscapes as testaments to the inviolability of territorial expansion and development. Decades later, his paintings were seen as poignant reminders of what industrialization threatened.
Paradas do passeio
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Mt. St. Gothard, Lake Lucerne, Switzerland
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Uri-Rotstock
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Sunset Light, Wind River Range of the Rocky Mountains
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View of the Grand Tetons
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Sunset near the Platte River
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Vase acquired by Saint-Gaudens during trip to Southwest
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Giant Redwood Trees, Mariposa
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View of the Rhine (Heidelberg Castle)
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Castel Sant'angelo
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Immigrants at Pike's Peak, Crossing the Platte, etc.
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Rocky Mountains, Lander's Peak
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A Halt in the Yosemite Valley
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Artist's tools & equipment for sketching in the field
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Revolver
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El Capitan, Yosemite Valley
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Vernal Falls, Yosemite
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Residence of Albert Bierstadt, Esq. (Malkasten)
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Stereo camera and wet collodion glass plate holder
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